Videodrome (1983)

I’m reposting my review of VIDEODROME due to it being one of my all time favorite genre flicks and because when I originally posted this, back in January of 2010, it was the early days of this website when I didn’t have many visitors.  This way everyone can know experience the love I have for this film!! –AHS


I saw this movie for the first time in 1985 when I was 14. My buddy’s older brother gave me a really crappy, grainy VHS cassette with a horrible sound track; BUT it was the uncut version (and as it goes, watching this flick on a grainy VHS is pretty appropriate). Now it’s 2010 and not only is Videodrome one of my all time favorite movies, but I think its writer-director Cronenberg’s best movie, and I think it’s one of the strongest genre flicks ever made.

I must admit that after I saw this the first time I had no friggin’ idea what the hell was going on.  What I could piece together in my still very innocent mind was that kinky sex and violence stimulates the growth of some organ in your head that will help evolve you into “the New Flesh”??? What the FUCK??  By this time I had already seen Cronenberg’s Shivers (1975), Rabid (1977), and The Brood (1979) and was a bona fide huge fan of Cronenberg.  I was familiar with his theme of “body horror” found in most of his movies, but Videodrome was just way over my 14 year old head.  At first I simply wrote it off as one of his mistakes, but noticed that after a few days I couldn’t get it outta my mind.  There was something so gritty and disturbing about the story and its’ images that I couldn’t stop thinking about it.  I really wanted to understand what Cronenberg was trying to tell me. So I rented it (but this time got the R-rated version) and watched it over and over again. And over and over again. Suddenly I realized not only did I absolutely love Videodrome and believe it to be his best movie yet, but I started to understand the story.  It’s bizarre, no doubt, but it is “Cronenberg Bizarre.”

The story:  James Woods’ character, Max Renn, is one of the owners of a crappy little cable station called Civic TV (which is named as a tribute after City TV, an actual television station in Toronto that was infamous for showing soft-core sex films as part of its late night programming line-up).

You don’t wanna guest star on this TV show!!

In order to compete against bigger stations, Renn knows they need to offer something viewers can’t get on any other station.  Airing some soft-core porn late at night seems to be helping the ratings, but Renn is getting bored by it; it’s too tame for his tastes and he believes his viewers want something with more teeth (pun intended).  In one scene an Asian porn producer, played by David Tsubôchi, tries to sell Renn some porn for the station, but Renn turns him down telling him how boring and predictable it is.  Tsubôchi went on to become a Minister in the Ontario provincial government, and his role here as a pornographer was exploited by the opposition. Ya gotta love politics; the opposition was trying to use Tsubôchi’s ROLE as an ACTOR from a FICTIONAL movie as a true representation of what he really believes in and how he really is.  Pathetic.  And people wonder why I submerge myself in horror movies.  Anyway …

One night the station’s engineer, who has a knack for video piracy and “breaking into” other broadcaster’s signals, comes across a grainy TV showed called “Videodrome.”  The production values are practically nothing (a woman is chained up in a bare room getting beaten), but best of all it’s the kind of program “with teeth” that Renn has been looking for.  So he hires the local “strange lady,” Masha, who has ties to the underworld to track down “Videodrome” for him.  She finds it and tells him to leave it alone:

Masha: Videodrome. What you see on that show, it’s for real. It’s not acting. It’s snuff TV.
Max Renn: I don’t believe it.
Masha: So, don’t believe.
Max Renn: Why do it for real? It’s easier and safer to fake it.
Masha: Because it has something that you don’t have, Max. It has a philosophy. And that is what makes it dangerous.

I’m not 100% sure about this fact but this might just be the first big-studio genre flick (it was distributed by Universal Films) to talk about snuff films!!  From here on out the film gets very bizarre, very gory, and very “I can’t take my eyes off of this.”  I don’t wanna get into much more of the plot, but it’s a crazy ride for sure folks.  This is the kind of film that divides audiences:  Either ya love it or hate it!!

Any horror fan worth their weight in gore needs to see this flick; if nothing else for the special f/x by Rick Baker.  These are some truly amazing, disgusting, disturbing, and groundbreaking f/x:

We see a TV come to life and watch James Woods “make out” with it;

Pucker up for Nikki

we see a gun become an organic part of Woods’ hand;

Gives new meaning to “hand gun”!!

we get to see a living, breathing “vagina” in Woods’ stomach (which he sticks the gun into);

I’m at a loss for words here.

we see a TV screen explode into a mess of blood and guts;

What a gutsy movie!!

and we get to see a man shot by a “tumor gun,” whose body erupts into a ton of tumors as he dies horribly.

A truly disgusting scene.

These are just a few examples of some of the amazing work Baker does here.

Cronenberg definitely has his “body horror” theme here (stronger than ever, in fact) but he also adds the dimension of a very layered and detailed story.  This movie is so much more than the sum of its (amazing) f/x; it’s trying to tell us something.  It’s an early warning in the days before personal computers became so invasive in our daily lives and about the dangers of technology and retreating into that technology and away from actual interpersonal contact.  It also predicts and tries to warn us about the connection between technology and violence (this, I believe, is the essential theme here).  There’s so much violence on TV every day that is taken for granted and we have essentially become desensitized to it.  A certain group in the movie takes advantage of this fact and exploits it:

Harlan: North America’s getting soft, patron, and the rest of the world is getting tough. Very, very tough. We’re entering savage new times, and we’re going to have to be pure and direct and strong if we’re going to survive them. Now, you and this cesspool you call a television station and your people who wallow around in it, your viewers who watch you do it, they’re rotting us away from the inside. We intend to stop that rot.

James Woods and Peter Griffin

All the performances here are top notch.  This is actually one of my favorite performances by James Woods (Woods’ even refers to his role in Videodrome in an episode of Family Guy).  Woods plays his typical, trademarked really intense character.  He starts off very arrogant and cocky, but as he watches more and more of the “videodrome” signal and his body begins to evolve into something new, he loses his grip on reality and begins to question everything.  And in a typical “Cronenbergian” scene we see a character trying to help Woods by putting a machine on his head that will record and analyze his hallucinations.  Trully a “must been seen to be believed” moment.

Some may think that with its high ideals and philosophical views that this movie gets a little pretentious at times.  I never got that feeling.  This is a brilliantly written, “deep” genre movie that challenges you to understand what’s going on.  All the pieces are there; you just gotta put them together.  But when you do it was well worth the “journey.”  I do categorize this as “philosophical horror” but I give this movie that label with respect.  Plus there are so many scenes of absolute depravity and gore that it’ll knock your socks off and remind you that you’re watching a genre flick … a damn good genre flick!!  Deborah Harry, the singer Blondie, also puts in a fantastic

Prototype for a Hallucination Analyzer

performance as Nicki Brand.  She becomes aware of “videodrome” through Woods and not only becomes obsessed with it, but tracks it down, appears on it, and becomes one of its victims.  She adds the perfect amount of kink and depravity here. When she and Woods are fooling around she coyly asks, “Wanna try a few things.”  This’ll send a shiver down your spine.  It seems to me that Cronenberg left the ending wide open for a sequel, and I for one am really upset he never continued this story.  I’d love to see the new world inhabited by “The New Flesh.”  Don’t miss this one.  I love every second of this movie.  This one will get under your skin and you’ll think about it long after you turn off your cathode ray box.

Afterward:  In April 2009 Universal Studios announced that Videodrome would be going through the re-make grinder.  According to Variety, this new remake “will modernize the concept, infuse it with the possibilities of nano-technology and blow it up into a large-scale sci-fi action thriller.”  What the fuck??!!!?  Has anyone that’s even seen this movie and “gotten it” ever thought that it was missing “a large-scale sci-fi thriller” feel?  Absolutely pathetic.  But then let’s remember that in 2003 when the studio announced that another remake of The Fly was in the works, Variety asked the at-the-time director (who’s name escapes me) why he wanted to do another remake of The Fly.  His answer (and I’m paraphrasing here):  “I noticed that in both previous Fly movies, the fly never flew.”  WHAT??!?  Lucky for us all I believe all intentions of remaking Videodrome (and The Fly) have been halted.  But for how long?

My Summary:

Director:  David Cronenberg

Rating:  5 out of 5 stars

Gore:  9 out of 10 skulls

Zombie Mayhem:  0 out of 5 brains

Reviewed by Scott Shoyer

Check out the Ultimate Devil Mash Up Courtesy of The Last Exorcism Part II

Last Exorcism 2 posterOver the years the devil has been quite busy. He’s been trying to possess people of all ages, races, religious backgrounds, and belief systems. Hell, he’s even possessed a few animals over the years!! But now you can explore all of the scary, memorable, fun, and unique forms that good old Beelzebub has taken cinematically. This cool video has been put together to help promote THE LAST EXORCISM PART II. THE LAST EXORCISM PART II is directed by Ed Gass-Donnelly, written by Donnelly and Damien Chazelle, and stars Ashley Bell, Julia Garner, Spencer Treat Clark, David Jensen, and Tarra Riggs. Dig on the plot crunch:

Continuing where the first film left off, Nell Sweetzer (Ashley Bell) is found terrified and alone in rural Louisiana. Back in the relative safety of New Orleans, Nell realizes that she can’t remember entire portions of the previous months only that she is the last surviving member of her family. Just as Nell begins the difficult process of starting a new life, the evil force that once possessed her is back with other, unimaginably horrific plans that mean her last exorcism was just the beginning.

Now check out the video devil mash up:

Looking forward to seeing this one?

Stay Bloody!!!

Romero Writing a Comic for Marvel

Yup you read that correctly. George Romero is writing a comic book for Marvel. Way back in October 2012 Twitch reported that zombie extraordinaire George Romero would be writing a new comic property for Marvel. After too many months of silence a teaser has finally dropped for the project. And by “teaser” they definitely mean TEASER!! Here’s what was revealed last October:

“I’m writing a comic for Marvel. I’m writing it now, but its plot is a secret … I can tell you it won’t involve any of their on-going characters, there will be no superheroes. But it will involve zombies!”

And here’s the teaser:


It’s definitely not much, but I’m excited nonetheless. What about you?

Stay Bloody!!!